1960s folk-rock with electric tension, mid-tempo 4/4 train-beat shuffle, crisp snare rim hits and soft hi-hat. Walking bassline ascending then descending, simple yet insistent. Clean electric guitar arpeggios with tremolo and light spring reverb, double-tracked acoustic guitar strumming open chords. Lead guitar line—single-note, pentatonic, slightly behind the beat, played on a Telecaster bridge pickup with a small tube amp breakup. Harmonic minor vocal melody in a lower tenor range, sung in unison with a second voice a third above. Organ drone held on IV chord through the verse. Lyrical delivery: spoken-sung, restrained, world-weary, finger-snaps on beat 3. Bridge modulates to relative minor, rimshots and tambourine, guitar feedback just kissing the mix. Production: live studio ambience, mono compatible with slight left-right panning (acoustic left, electric right). No chorus, just escalating intensity via added vocal layers and ride cymbal bell. Fade out on a held organ chord and decaying snare buzz.