New York garage house, 128 BPM. Four-on-the-floor kick drum with a tight, snappy rimshot on 2 and 4. Deep, rolling, off-beat funky bassline—squelchy but smooth, no distortion. Layered disco-filtered piano chords: low-pass filter slowly opening every 8 bars, with a momentary full-resonance sweep before the drop. Short, chopped brass stab sample (pitched up, one-shot, reverb tail cut). A single breathy, soulful female vocal hook: one scat phrase ('doo-dah-doo') repeated every 16 bars, dry in the mix, no harmonies. Shuffling hi-hats with swung 16th-note pattern, closed then open. Snare rolls on beat 4 leading into chorus. No synth pads, no heavy compression pumping. Clean, separated mix: bass centered, piano hard panned, brass mono right. Sudden full dropouts (kick + bass only) for 2 bars before the final chorus. Outro: filtered piano decaying alone.